| BBE |
D82 |
Sonic Maxmizer |
882i 482i Sonic Maximizer |
| iZotope |
Mastering |
Ozone3 |
64-Bit Mastering |
| Restoration |
Rx |
Restoration Software |
| UAD |
Compressor/Limiters |
1176LN |
Trademark 1176 FET Gain Reduction Emulation |
| 1176SE |
Trademark 1176 FET Gain Reduction Emulation |
| DBX 160 |
Plug-In Model of DBX 160; First Solid-State VCA Compressor |
| Fairchild 670 |
Modeled After Ocean Way's Famous Golden Unit |
| LA-2A |
Classic Optical Attenuator |
| LA-3A |
Solid-State Optical Compressor |
| Neve 33609 |
Recreation of the Neve 33609 (Rev C) |
| Neve 33609 SE |
Derived From the Original Neve 2254 Compressor |
| Percision Buss Compressor |
Dual-VCA-Type Dynamic Processor for Transparent Gain Reduction |
| Percision Limiter |
Look-Ahead Brick-Wall Limiter |
| Percision Multiband |
Five Bands of Compression, Expansion, or Gate |
| SSL G Series Bus Compressor |
Faithful Emulation of the Hit-Making SSL 4000 G Series Bus Compressor |
| Equalizers |
Cambridge |
Five-Band Switchable Parametric or Shelf EQ |
| Harrison 32C |
Harrison Four-Band 32C Channel EQ |
| Helios |
Classic "Helios Type 69" Console EQ Modeled From Original Basing Street Desk |
| Manley Massive Passive |
Stereo Four-Band Passive Tube EQ |
| Percision |
Universal Audio Stereo Precision Equalizer |
| Pultec EQP-1A |
Legendary Pultec Program EQ |
| Pultec Pro |
Pultec MEQ-5 Midrange Equalizer and the Pultec EQP-1A Program Equalizer |
| Neve 1073 |
Three-Band EQ & High-Pass Filter |
| Neve 1073 SE |
Three-Band EQ & High-Pass Filter |
| Neve 1081 |
Four-Band EQ & High/Low Cut Filters |
| Neve 1081 SE |
Four-Band EQ & High/Low Cut Filters |
| Neve 31102 |
Three-Band Active EQ & High/Low Filters |
| Neve 31102 SE |
Three-Band Active EQ & High/Low Filters |
| Trident A-Range |
Four-Band Active EQ |
| Channel Strips |
CS-1 |
EX-1 EQ/Compressor, the DM-1 Delay Modulator, RS-1 Reflection Engine |
| Neve 88RS |
Neve 88RS Channel Strip |
| SSL E Series |
SSL 4000 E Series Channel Strip |
| Reverbs |
Dreamverb |
Room Modeler |
| EMT-140 |
Based on Three EMT 140 Plates From The Plant Studios |
| EMT-250 |
Faithful Recreation of the EMT 250 Reverb Unit |
| Realverb Pro |
Room Modeler |
| Lexicon 224 |
Lexicon 224 Classic Studio Emulation |
| Chorus/Delay |
Boss CE-1 Chorus |
Roland/BOSS Accurate Model of Original CE-1 Chorus Effect |
| Cooper Time Cube |
Duane H. Cooper Delay Emulator |
| EP-34 Tape Echo |
EP-3 and EP-4 Echoplex Tape Delay Units |
| Roland Dimension D |
Famous Bucket Brigade Chorus Heard on Countless Records |
| Roland RE-201 Space Echo |
Highly Adjustable, Multi-Head Tape Delay |
| Special Processing |
Ampex ATR-102 |
Models Entire ATR-102 Electronic Path |
| Fatso Jr/Sr |
Recreates the Warm, Musical Qualities of Magnetic Recording Tape, Tubes, and Class A Transformers |
| Little Labs Voice of God |
UA-Modeled Bass Resonance Tool |
| Little Labs IBP |
Phase Alignment "Fix-It" Tool & Creative Phase Manipulation |
| Moog Multi-Mode Filter |
True Analog-Sounding VCF Emulation in a Table Top Filter Set |
| Moog Multi-Mode Filter SE |
True Analog-Sounding VCF Emulation in a Table Top Filter Set |
| Percision De-Esser |
Specialized Tool for Transparent Compression of the Sibilant Range |
| Percision Enhancer Hz |
A Specialized Tool for Enhancing Bass Perception |
| Percision Enhancer kHz |
A Specialized Tool Designed to Enhance High Frequencies |
| Percision Maximizer |
Dynamic Impact Processor for Increasing Perceived Loudness |
| SPL Translent Designer |
Level-Independent Shaping of Envelopes |
| Studer A800 Tape Recorder |
Emulation of Legendary A800 Multitrack Tape Machine |